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Not To Be Missed:

Angels In America

Hizzoner

Private Lives

Loving Repeating

The Cradle Will Rock

The Night Heron

Johnny Tremain

Guantanamo

Blind Mouth Singing

Bus Stop

Valentine Victorious

Menopause The Musical

I Love You, You’re Perfect, Now Change

Tuesdays With Morrie

By Jeffrey Hatcher and Mitch Albom

Directed by Michael Montel

At the Cadillac Palace Theatre

151 W. Randolph

Chicago, IL

Call 312-902-1400, tickets $32 - $65

Tuesdays at 7:30 PM

Wednesdays at 2 & 7:30 PM

Thursdays at 7:30 PM

Fridays at 8 PM

Saturdays at 2 & 8 PM

Sundays at 2 & 7:30 PM

Running time is 90 minutes with no intermission

Through March 12, 2006

 “Are you at peace with yourself?”

“Are you trying to be a human as possible?”

--Morrie Schwartz to Mitch Albon

The lesson about living rings with truth in Tuesdays With Morrie

Tuesdays With Morrie is a play about a mentor who is slowly dying, but it is really a play about living. It is a story about loving, forgiving and connecting with others. It is a lesson about being human. Told marvelously by director Michael Montel and acted effectively by Broadway veteran Harold Gould as Morrie, the show is a tutorial on the human spirit. Director Montel never lets the play become a sappy sentimental dying man show. Tuesdays With Morrie is told straight forward as a docudrama with emphasis on depicting Morrie as a mentor, a pure teacher. Told through the eyes of Mitch Albom, one of Morrie’s favorite pupils, Dominic Fumusa effectively plays Mitch as the success driven stiff sports reporter devoid of emotions, lTuesdays with Morrieiving for glory and money.

The power in this show is Harold Gould’s honest portrayal of Morrie Schwartz. I remember seeing Morrie on both Nightline and Oprah. He had a feisty, acerbic wit with a strong sense of focus on the basic nature of life. Gould accurately brings the fun loving professor to life. The sadness of the dying scenes was in witnessing the physical deterioration of Morrie. Gould’s stumbling, stiffness, gagging and slurred speech gave attention to the horrors of ALS. We feel for Morrie as he disintegrates throughout the show. Harold Gould is a marvel to see work as he bravely and convincingly wins our hearts.

The uplifting messages of the show comes from Morrie reminding us that we must live in the moment, make connections with others, invest in people and not be afraid to touch those we care about. And that it is okay to cry, okay to laugh and okay to care for those we love. Acceptance, forgiveness and love are the fuel of the human spirit. Tuesdays With Morrie is a dignified, warm love story wonderfully performed. Morrie is looking down at Harold Gould and doing his little arm-waving dance and smiling. We see Dominic Fumusa as Mitch Albom slowly connect with Morrie and subtly he is transformed into a passionate human. Morrie teaches that it is nevTuesdays with Morrieer too late to love.

Morrie taught me: “Learn how to live, and you’ll know how to die; learn how to die, and you’ll know how to live.” After having my own flirtation with death from a heart attack six years ago, I can relate to Morrie’s message. Maybe that’s why I’m so passionate about theatre?

Don’t miss this tasteful tutorial on being human. Everyone needs to hear these messages from time to time. You’ll buy the book after seeing Broadway in Chicago’s production of Tuesdays With Morrie.

 Recommended

Tom Williams

Tom99@chicagocritic.com for comments

Talk Theatre in Chicago Podcast

February 28, 2006

 

 

 

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