Theatre seats play tickets

Theater tickets

Mary Poppins tickets

Wicked tickets

Chicago play reviews, theater critic
Chicago Critic theatre reviews Talk Theatre in Chicago Podcast

Go see a play this week!

listenListen to the Talktheatreinchicago.com podcast now

Broadway Tickets on sale for Tarzan, Julia Roberts Three Days of Rain, Elton John inspired Lestat as well as other events in Chicago.

 

Not To Be Missed:

100 Saints

Spinning Into Butter

Cortoe

Ruthless!

Dionne Warwick

Spelling Bee

Hizzoner

Menopause The Musical

History of A Handgun

By Clint Sheffer

Directed Clint Sheffer

Produced by Bruised Orange Theater Company

At Strawdog Theatre

3829 N. Broadway

Chicago, IL

Call 773-588-0560, tickets $15 - $20

Fridays & Saturdays at 8 PM

Sundays at 7 PM

Running time is 2 hours, 20 minutes with intermission

Through July 30, 2006

History of A Handgun fires a dud

Bruised Orange Theater Company, a talented group of Northern Illinois grads, has mounted some terrific work over the last couple of years including The Misanthrope and Poor Man’s Amos by the talented Clint Sheffer. Sheffer got away with writing and acting in his fine Poor Man’s Amos last year. He was the right guy in the right role. Sheffer wrote and directed History of A Handgun with a quite different result.

History of A Handgun suffers from a lack of focus and a confusing storyline. The play isn’t sure if it’s a dark comedy or a melodrama; a satirical farce or a wacky mystery? The story goes in several directions, contains emotionally wrenching scenes yet has many campy bits that are either parody or dark comedy? I’m not sure what this tale of personal aspirations is supposed to be? Therein lies my problem with this sluggishly paced, uneven, and, at times, over-acted piece. Would it be one type of play with a through line dramatic arch, I’d probably be able to enjoy it. But as it plays now, it becomes tedious and confusing as it wonders from scene to scene as if it was several plays all rolled into one.

As near as I can decipher, History of A Handgun is a parody of those Landford Wilson and Sam Shepard plays about the losers from small town America. I think? Based on the low-life blue collar characters Clint Sheffer presents in History of A Handgun, I’m betting that the play is a dark comedy. Maybe?

The wacky inhabitants of a backward town, Mendicant, Illinois are awaiting the election of a new mayor while a storm is brewing that could flood the town. A killer haunts the near-by woods. The town law enforcement person is a nasty, violent drunk. The new mayor is a gentle, naive soul more interested in helping his simple male border than pleasing his wife. The town is peopled with quirky characters with whom once we become engaged, seem to disappear as other characters and other plot lines take over. Sheffer sprinkles so much symbolism and weird situations that we become confused and frustrated and quickly become turned off. Confuse us, lose us.

The manic antics of Payne (Ann Sonneville) and her encounter with a young psychologist, Kim Vandzandt (Zack Brenner) are one story while the young idealist, Melanie Neece (Tiffany Bedwell) dreams of changing the world is another. A zombie, Curly Jakes (Tiffany Joy Ross) restlessly wonders about. The mayor and his wife argue. The story wavers.

 Filled with funny asides and campy speeches that oppose the seriously emotionally wrenching scenes played out with much screaming, the play loses focus. Tone problems and extremely uneven performances killed my interest.

Somewhere in this much too long work is a quirky play with real possibilities. It has yet to emerge. There are several interesting characters waiting to have their story told—but not all of them in one play. Sheffer tries to cover too many stories with too many themes. Better he narrows his focus with fewer characters and one through line. Then there is the acting: some players were doing melodrama, some were doing a parody, some simply over acted. Getting a consistent style with the appropriate emotion tone from the players would serve the play’s interest immensely.

Clint Sheffer is a talent and parts of this play were workable. Unfortunately, his ambition to create a complicated small town show led him to get mired in the details. Better to revisit, with red pencil in hand, this potentially interesting play. The ending is terrific but we have to muddle through 2 hours to get there. As it plays now, History of A Handgun is much to raw for consumption. Sheffer can do better work. This time he misfired.

Not Recommended

Tom Williams

Tom99@chicagocritic.com for comments

Talk Theatre in Chicago podcast

Date Reviewed: June 23, 2006

 

 

[Home] [Chicago Reviews] [Tommy Guns Garage] [Menopause The Musical] [Wicked] [Hizzoner] [Barenaked Lads] [The Chosen] [Spelling Bee] [The Tribute] [Leaving Iowa] [Computer Geek] [Gaudy Night] [Flora, the Red Menace] [Dionne Warwick] [The Water Coolers] [Ruthless!] [History of A Handgun] [The Tempest] [Request Programme] [Sussical, The Musical] [The Unmentionables] [Jeffrey] [Unchanging Love] [Once Upon at Time in New Jersey] [Do Black Patent Leather Shoes Really Reflect Up?] [Corteo Cirque Du Soliel] [Stomp] [Dr. Dolittle] [Tales of the Lost Formicans] [Cold Cold Feet] [Spinning Into Butter] [First Look Repetory of New Work] [London Reviews] [Book Reviews] [Theatre Companies] [Feature Articles] [Contact Us] [Theatre Links] [About Us] [Advertise with Us]

Site owned by Tom Williams  1-773-293-3298, tom99@chicagocritic.com Copyright, Chicago, IL 2006